All right, quick one, five minutes, and then weāre out of the shower. Weāve already washed the water heaters a little bit low. We got to get out to the streets of New York. We also got to find a place to live. Excuse me? Excuse me, excuse me, instead of excuses. excuses. Excuse excuse. Yeah, so weāre looking for compatibility. You know, weāre looking for sort of like a creative art house collective, where everything that happens in the house, if itās your voice, or you know, for a lot of people their face, then they get Final Cut. Final Cut always goes to the Creator, the speaker, the idea carrier. So we just, we just basically, thatās number one, and we donāt have money, we could continue asking for, you know, a family alone. But itās like, itās very difficult to think through that. And it brings up a lot of a lot, a lot of ideas about how the family could be working together, instead of completely separated. and die. The dissolution way is that this solution, when a company does ball dissolves, when a family dissolves.
And I suppose naturally, thatās what happens over time to the family. unit. The family structure is you have your own family. But to grow old, with your family intact, is to imagine yourself in the middle of a family of elders and young people. Letās say for example, when youāre middle age, you have grandparents, some of us have grandparents, great grandparents. You have kids, some of us have grandkids. So youāre kind of in the middle of generations of multiple generations. I think thereās five, four or five generations alive right now. Great, great grandparents, grandparents, you and then I mean, see itās maybe even three three or four, maybe four All right, so thatās the intro is we need to find a place to live in New York City. We have a temporary backup. But itās all the way back down south in Fort Lauderdale, Florida. So weāre really trying to stay up northeast New York City as the capital of the world creative capital the world, financial capital, the world, governmental capital of the world, religious capital of the world. Shout out to church of chill. Possibly the newest religion slash podcasts out there daily podcast. So that brings us to audio art, you know going out on the street and collecting or even inside the home and collecting ideas, conversations, communications. social experiments, you know, in the audio realm and then creating 30 to 45 to an hour of audio art. And thatās probably using the, the sets the music, the DJ sets from around the world that are deep house, house music, electronic and then going in and out of the music to create a soundtrack to your life to once to a creative experimental artist, audio artists, where again, youāre using, I mean, youāre using your phone to collect this creative audio feedback. For instance, an idea that popped up yesterday was because we saw a bag. While we were jogging, we saw a very a bag we liked that had sunflowers on it.
And it was a beautiful design, and it looked like it was knit by your grandma. And so we say we cut as weāre running by we said I like your bag, and this person instantly opened up. And like a flower like a sunflower instantly, just like oh my God, thank you like it was it was beautiful. And so to have that on audio, it would be an interesting thing to use as a part of a podcast, radio show segment. And now and now imagine doing that 100 times. So thereās a project right there. And itās totally anonymous, private. Very cool, very optimistic, positive, whatever you want to call it. Bright. I mean, really, itās probably bright, you know, as half of the Ying Yang, where the other is dark, dark being the cool side of the moon. But yeah, you have bright and you have dark, and you know, some people are gonna, are going to react more dark than bright. So youāll have both sides of the spectrum. But normally, when youāre just like running past someone, you compliment them or even saying thank you to people for no reason. This is these are just writing prompts for people essentially. So you have the audio art thing, which is a part of street being a street artist, and a documentary filmmaker. And, and also a community creator. One who creates for the community, in the public spaces to reduce to increase the amount of uniqueness in peopleās lives. Because these are rare instances of getting getting your bag complimented in the street, you know, it only happens once or twice or a few times in your life by a complete stranger. So it does take the quote unquote, artist with in this case, a community focus for people for peopleās experiences in the public space, and and making, making their day making their moments because you donāt even need to make their day you just make their moment. making peopleās moments every day. You know, making moments. I mean, creating a moment.
I know a lot of people have a lot of directors and actors talk about you know, when you roll the film and you have a script and magic just happens. So itās like making the match. Itās like a magical moment. Sometimes you just capture a moment. You get lucky you capture a moment a moment is created. And that moment can last five minutes. It can be a five minute scene. You know you can compliment someoneās bad And that starts the interaction that stops the two people, if you if you have that time to offer to other people, offering time to others, thatās interesting, right? Because you have to be the first one to stop and listen to whatās about to happen. And, and this is the performance, aspect, performance elements performance artists angle to it. Which is like, thereās a lot of people out there who have some time walking to and from work, or their friend or familyās home, or they have some time to blow before they got to get their own break, whatever.
So creating these moments, offering these moments, offering these ideas as a break from the monotony and the monotony for from the monogamy of everyday life and monogamy like youāre supposed to be inside a relationship with society, like why do I have to have a monogamous relationship with society? Why canāt I have you know, and the rules and the taboos and the unconventional and the conventional, traditional stuff? Why canāt I have a relationship a, that is, with society, which is a is an individual relationship and interdependent relationship within all the people who make up the society. So itās a itās actually about the people individually, and more specifically, the one on one relationships with each of these people. You know, itās an abstract thing to say that, you know, you compliment someone on their bag in the streets, and you run by and you never see that person again. But they say thank you, oh, my God, thank you, even if itās Thank you, even if you hold the door for somebody, and they say thank you, that is a scene that is an interaction.
That is an event in the course of the day. And and the moments, it is a moment inside a day. And thatās what the life is, is made up of. So itās an abstract way to think about it. But your your abstract memory is made up of, of these. These highlights and also the the lowlights, the good times and the bad times, those are the ones that tend to stick out and to try to stick to your brain. So this is something thatās exciting. It makes us think about community art. And after we do these interactions, if we comment, if we comment on 100 bags, or 1000 bags, that can be an opener to giving someone a business card that says, you know, Iām an artist, Iām a community creator. Iām a documentary filmmaker, Iām a audio artist, whoās looking for a roommate right now, for for April 5. So thatās that. Thatās that for now, I think the business card, can you know, we are collecting it, weāre talking about the Upper West Side and our cousins, the first thing weāll do is collect a life story. And thatāll be what we give back to our cousins. And itāll be a two a two hour read a 45 page. Short Story, short, script, eventually, short film, feature film, you know, you have to double the time you need about 90 pages. But itās a start. And you can sit down you can listen, you can record, you can transcribe, you can edit, and you can print it.
And thatās like the end of round you know, the first round the first stage of telling your story in multiple different ways and really your familyās story because you are not just you, you are your family, you come from family, all the instances youāve shared, the moments, the characteristics, the personality traits, the patterns, that all comes from 1000s and 1000s, millions of experiences with each other. And those are the people you spend the most time with. So your stories, every story is a family story, but your story specifically has roots. And those roots are sometimes hard to relive, to reflect upon. Because theyāre a little bit theyāre a little bit sticky, but we can get through that by helping and listening to each other and creating art out of you know, showing our hearts. Creating the art, letting it in letting it art, letting it go, letting it grow, letting it in letting it let it in, let it art, let it grow. Thatās it. All right, Ciao. Ciao. For now. Peace, peace in the Middle East of your mind. In time. We will all shine not talking about 15 minutes of fame talking about 15 minutes on stage the game the ultimate game, right because all the worldās a stage Chacha for now
Transcribed by https://otter.ai
